URA was launched in 2017 and grew out of Berenice Molina’s work with gang intervention, recovery, and community outreach. What began as helping productions find raw talent evolved into something larger: a structured pathway for people whose lived experiences are exactly what film and television productions claim to be looking for.
URA’s Street-to-Set model was not designed in a boardroom. It emerged from Berenice’s direct experience with the communities she grew up in and around. She knew that the industry’s appetite for “authenticity” was only meaningful if the people being portrayed were actually involved in the work.
That conviction — that real representation requires real people — is the foundation URA was built on, and the principle that drives every casting decision, training session, and production partnership the organization undertakes.